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by Michele Fritz
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The Center for Disease Control has recommended the use of cloth face masks to help fight the spread of COVID-19.
This face mask is made from 100% polyester and includes two ear loops with adjustable grommets for a comfortable fit.
The printed area of the mask is approximately 7" wide by 5" tall. This mask fits well on adult mens' faces without the grommets but, due to the adjustable grommets, can be worn snuggly by adult women, as well.
Please note - this is NOT a surgical grade mask. It is not intended for any medical or commercial uses, whatsoever. It is a simple, cloth mask designed for everyday use to cover your mouth when out in public. The mask should not be used in any medical or surgical setting.
We make no warranties that the mask prevents infections or the transmission of viruses or diseases.
I spend a good deal of time in the Lake of the Ozarks. One of the most picturesque areas is Ha Ha Tonka State Park. Cliff Overlooking Lake is drawn... more
2 - 3 Business Days
Round Beach Towel
Weekender Tote Bag
Portable Battery Charger
I spend a good deal of time in the Lake of the Ozarks. One of the most picturesque areas is Ha Ha Tonka State Park. Cliff Overlooking Lake is drawn from the balcony of the stone ruins of the Robert Snyder�s mansion located in this park.
In the early 1900s, the wealthy Kansas City businessman purchased 5,000 acres that included a spring-fed lake. He selected a site on the rocky summit above for his retirement home, saying, �I will fish and loaf and explore the caves of these hills, with no fear of intrusion.�
But just as imported Scottish stone masons began work on his dream, Snyder died in 1906 in one of the state�s first automobile fatalities. His sons finished the home, but it was gutted by fire in 1942. The stone skeleton of Snyder�s European-style castle sits like a rock sculpture, with a sweeping view of the Lake of the Ozarks far below.
Growing up in the rolling hills of Missouri, I've traveled to most states in the U.S. and painted along the way. I love being in nature and try to visit state parks along my travel routes. I work mostly in my studio, using field studies and photo references pulled from places I have visited. In creating these works, I sometimes embrace, sometimes abandon color theory while building an ever growing alphabet of marks that represent foliage, trees, buildings and the sky. I juxtapose these marks with textures, tones, and line to build a compressed space, create the illusion of great distances, and generate an energized surface crackling with potential. Purchase original artworks at www.michelefritz.com
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